"a sound is all the possible ways there are to hear it"

 

The Sound Sculptures, Acoustical Visions and Ideas of Bill Fontana

 

Sonic Mappings - a new permanent sound sculpture for the

entrance hall of MAXXI in Rome opening 23 October, 2014

 

 

Acoustical Visions of the Golden Gate Bridge, San Francisco, 2012 The historic underground tunnel below the Villa Medici and the Spanish Steps where the Acqua Vergine has been perpetually flowing for over 2000 years. A recording site for Sonic Mappings at MAXXI

 

 

Linear Visions - At the OK Center for Contemporary Art in Linz . Exhibition Brochure Desert Soundings, Abu Dhabi Festival 2014

 

HARMONIC BRIDGE, TATE MODERN, London, 2006

 

 

Artists Statement

I have worked for the past 45 years creating installations that use sound as a sculptural medium to interact with and transform our perceptions of visual and architectural settings. These have been installed in public spaces and museums around the world including San Francisco, New York, Paris, London, Berlin, Venice, Sydney and Tokyo.

My sound sculptures use the human and/or natural environment as a living source of musical information. I am assuming that at any given moment there will be something meaningful to hear and that music, in the sense of coherent sound patterns, is a process that is going on constantly. My methodology has been to create networks of simultaneous listening points that relay real time acoustic data to a common listening zone (sculpture site). Since 1976 I have called these works sound sculptures.

I have produced a large number of works that explore the idea of creating live listening networks. These all use a hybrid mix of transmission technologies that connect multiple sound retrieval points to a central reception point. What is significant in this process are the conceptual links determining the relationships between the selected listening points and the site-specific qualities of the reception point (sculpture site). Some conceptual strategies have been acoustic memory, the total transformation of the visible (retinal) by the invisible (sound), hearing as far as one can see, the relationship of the speed of sound to the speed of light, and the deconstruction of our perception of time.

From the late 90”s until the present my projects have explored hybrid listening technologies of acoustic microphones, underwater sensors (hydrophones) and structural/material sensors (accelerometers). Some of my most recent works I call Acoustical Visions and are explorations of the image that a sound makes and the sound that an image makes.

- Bill Fontana

 

 

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